Style Court

Textiles, Art History, Gardens, and a Little Mental Traveling with Courtney Barnes 2006-2016


Filthy Lucre

[Darren Waterston, Filthy Lucre, 2013–14. Oil, acrylic, and gold leaf on wood, aluminum, fiberglass, and ceramic, with audio and lighting components. Approximately 146 x 366 x 238 inches. Courtesy the artist and DC Moore Gallery, New York. Installation view, MASS MoCA, North Adams, MA. Photo: Amber Gray.]
Speaking of ruins, Darren Waterston’s installation Filthy Lucre, the focal point of MASS MoCA's Uncertain Beauty, remains on view there for just four more weeks but will be reappear in May at the Freer-Sackler galleries in D.C.  Part homage and part parody, Waterston’s piece -- actually a complete interior -- deals with James McNeill Whistler's infamous 19th-century Peacock Room, which as we've covered in past posts, has been permanently displayed at Freer-Sackler since the 1920s. In the galleries, Waterston's work will be shown as Peacock Room REMIX, and visitors will be able to see the original room and the alternate reality in juxtaposition with one another.

[Darren Waterston, Filthy Lucre, 2013–14.  Photo: John Tsantes.]

With melting blue-green paint, gilded-but-crumbling architecture, details including 250 hand-painted pots, scattered ceramic shards, and new interpretations of Whistler's own paintings, Waterston acknowledges the opulent beauty of the Victorian dining room, however in his reimagined space things have spiraled out of control. So it's a comment on the tumultuous history of the Peacock Room but it's also about decadence in general. More here.

There's also an accompanying catalogue.

1 comment:

Daphne Nash said...

So glad to learn about this installation - love the Peacock Room and all of its dramatic history. Looking forward to seeing this riff on a classic!