Style Court

Textiles, Art History, Gardens, and a Little Mental Traveling with Courtney Barnes 2006-2016


Film Festival

[Screengrab from Ang Lee's Lee's Crouching Tiger, Hidden Dragon]

Last month I instagrammed a wish that Raise the Red Lantern (Zhang Yimou's staggeringly gorgeous but hard to find 1991 movie) would stream on Netflix or appear in iTunes. Hasn't happened yet but my fingers are still crossed; The Met's spring blockbuster, China: Through the Looking Glass -- set to open May 7, 2015, examining China as ever-enduring fashion muse -- might help build momentum. The Museum says that some of the show's "reflections" will materialize in film clips from acclaimed Chinese directors including Yimou and Ang Lee, which will complement the exhibited clothes and vignettes centered on women with presence such as Oei Huilan.

In the meantime, other easier to access textile-filled flicks include Yimou's House of Flying Daggers and Lee's Crouching Tiger, Hidden Dragon And The Last Emperor, subject of a past post, dovetails with the eras highlighted in The Met's upcoming show. (Actually, in one way or another all of the suggested films do, as the exhibition covers territory from the 18th century to the present, but Emperor shows more mingling of Western and Eastern fashion in the 1920s.)

[17th–18th century Chinese saddle made for the Tibetan market. The Met.]

According to The Met, this opulent saddle is not unlike styles owned by the emperor Qianlong centuries before last emperor Pu Yi came on the scene. Though I'm highlighting it here just as a nod to the horseback riding scenes in Crouching Tiger. Well worth a look, the saddles and accompanying horse blankets in the movie seem wonderfully rugged by comparison.

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