I'll admit I enjoyed the Beijing Games far more than I expected to. Of course the swimming, diving, track and gymnastics were extraordinary, and it was nice to briefly get wrapped up in something outside my usual focus. But as someone who is fascinated by China's artistic tradition, I also appreciated the Olympic venue and accompanying news coverage.
If you too are experiencing a little withdrawal, here is a small fix: a glance at classical Chinese carpets and rugs. Details mostly, from Hali, January-February 2006.
According to Hali, specially made pile carpets covered the floors of the main halls within the Forbidden City during 500-plus years of Imperial rule. (Construction began in Beijing in 1421.) Today fewer than 600 of the classical Chinese carpets and fragments survive. As with most things Chinese, the geometric and stylized animal motifs were rich with symbolism.
The endless network of fret patterns (sort of lattice-like) that you see in most of the examples here are composed of "wan zi" symbols which represent the number 10,000 and a wish for longevity. Contemporary textile designers seem to be heavily influenced by these traditional Chinese geometrics.
If you look quite closely at this detail from a Mary McDonald-designed bedroom (image via House Beautiful) you may notice a Chinese-style carpet in yellow and cream.
Shown at top are details from four 17th-century Ningxia carpets.
Second is an 18th-century Xinjiang all-silk rug with yellow lilies.
Third, details from Imperial palace carpets show the clarity of the drawing and the precision of the Chinese knotting.
Fourth, fretwork medallions in 17th-century Ningxia carpets.
Above, a bonus: Quing Imperial yellow embroidered panel for a nine-fold screen. Imagery includes fu dog and female deities in the heavenly garden. 18th-century Chinese. Hali, winter 2007.